Skip to main content

Illusions, and making sense


Beau Lotto gave a TED talk on optical illusions and how information can differ depending on perception. Here are some excerpts from the narrative that went along with the talk (http://www.ted.com/talks/beau_lotto_optical_illusions_show_how_we_see.html). They provide an additional comment on the discussion of the world as what is in my head. There is also a rationale for why we have to become most clear about what it is we "see."

"The sky isn't actually colored at all (not blue or yellow or red or green). Rather, it's your mind that's colored. The world around us is physics devoid of meaning, whereas our perception of the world is meaning devoid of physics."

"And yet color is the simplest sensations the brain has. What may surprise you is that even at this most basic level we never see the light that falls onto our eyes or even the real-world source of that light. Rather, neuroscience research tells us that we only ever see what proved useful to see in the past. Illusions are a simple but powerful example of this point. Like all our perceptions, we see illusions because the brain evolved not to see the retinal image, but to resolve the inherent 'meaninglessness' of that image by continually redefining normality, a normality that is necessarily grounded in relationships, history and ecology. Which is why we innately find regularities in information and reflexively imbue those regularities with value. But it is the value, not the information itself we see. So, tomorrow morning when you open your eyes and look "out into" the world, don't be fooled. You're in fact looking in. You're not seeing the world covered in a blue blanket at all; you're seeing a world... an internal map of value-relations derived from interactions within a particular, narrow context."

"The importance of these observations transcends neuroscience. They show us in an explicit (and I hope engaging) way that our senses are not "fragile" -- as many would have you believe. They show us instead that we are not outside observers of nature defined in isolation. We are instead indivisible from nature, defined by the trial and error process of interaction, a process in which we can choose to become active agents (but too often choose not to). Understanding this point is I believe critical to personal and social wellbeing, since the typical barrier to a deeper insight into oneself and others is the overriding, but necessarily false impression that what "I" see, what "I" hear and what "I" know is the world as it really is. But, by "seeing yourself see," in other words by actively exploring how your thoughts, feelings, beliefs and even the colors you see reflect your physical, social and cultural ecology, only then is it possible to understand the source of coherence and conflict within and between individuals. Put another way, only by accepting my own humanity can I accept the humanity of others. "Seeing myself see" creates the opportunity for this acceptance."

Comments

Popular posts from this blog

Exercise one: The data do show

A. For each writing, what is the phenomenon described? Can it be rendered in a word or phrase? This is to say that each is about something--a noema, an X, an it . B. Is each writing "a direct description of our experience [of that something] as it is"? This is to say, or claim, that each is a phenomenological description comprised of both the it and how one experiences that it . C. Each writing as an  it in itself is an object of intentional gaze, or could be; each is a phenomenon which can itself be described, both noema and noesis. Which, 1 or 2 below, is more clearly a writing/text/work as phenomenological description? . . . Just to get things started. SAMPLE #1 {BEGIN WRITING} The last poem Years and years and years past I would write a gift, and thought it shared the love at Christmas. Now and now and now at last through the years I sift, and think to share our love at Christ's mass. Then and then and then repast I would mine eyes uplif...

Aside

"Lauren Silbert uses brain scans to try to zero in on what happens when two people click." (http://www.radiolab.org/2011/apr/18/soul-mates-and-brain-doubles/) Ms. Silbert read a story and had her brain activity mapped (scanned). Then she told the story to others and their brain activities were mapped. One listener's brain activity matched that of the storyteller, exactly. Thesis? The matching points represent the same experiences of the words-images that comprise the story. And if they match entirely, both storyteller and listener have had the same experience that the words create (evoke?). Is this the fundamental phenomenology of writing--the intentionality--to create in your experience that which I intend and had when I wrote what I did?

All is interpretation

What appears to you is what is. There is nothing outside of you which tells you, or me, that IT, what ever "it" is, IS. The only way I can know is through me and my senses. My stream of experiences are mine, no one else's. These experiences do not prove the existence of the exterior world or anything in it. I construct that sense-world by attributing my sensations to an unknown universe. The world then is my projected picture of it, symbolic and approximate. We justify, on the whole, the external world by accepting our private evidence that something exists beyond ourselves. So, I contend, we go about our business thinking that I see, feel, hear--sense--what you think you see, etc., or can. Thus the bases for science and other things. I  becomes w e. And we proceed beyond me and under the illusion that my concrete reality is the same as yours, a "consensual realty." We carry on our oh-so-practical lives on what are defenseless and uncertain foundations. Thus all...