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Be me


If the post before this is in the main accurate and true and the one titled "Aside" depicts the universal(?) hoped-for outcome of writing, then the hypothesis of writing as phenomenology and phenomenology as writing appears essentially supported.

It also appears that writing as phenomenology reverberates up, down, and all around all utterances. Each, even this sample, is what-I-have-in-my-mind-I-want-replicated-in-yours.

Next, the subversiveness of this notion, plus differing intentions of writing?

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Contributions to the subjects of this journey welcome.

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Exercise one: The data do show

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What is (a) writing

From a glossary of phenomenology*, we have these. Intentionality: The term "intentionality" indicates the inseparable connectedness of the human being to the world. Brentano, and later Husserl, argued that the fundamental structure of consciousness is intentional (Spiegelberg, 1982). And every conscious experience is bi-polar: there is an object that presents itself to a subject or ego. This means that all thinking (imagining, perceiving, remembering, etc.) is always thinking about something. The same is true for actions: grasping is grasping for something, hearing is hearing something, pointing is pointing at something. All human activity is always oriented activity, directed by that which orients it. In this way we discover a person's world or landscape. We are not reflexively conscious of our intentional relation to the world. Intentionality is only retrospectively available to consciousness. Or as Merleau-Ponty said, the world is revealed to us as ready-made and al...
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Aside

"Lauren Silbert uses brain scans to try to zero in on what happens when two people click." (http://www.radiolab.org/2011/apr/18/soul-mates-and-brain-doubles/) Ms. Silbert read a story and had her brain activity mapped (scanned). Then she told the story to others and their brain activities were mapped. One listener's brain activity matched that of the storyteller, exactly. Thesis? The matching points represent the same experiences of the words-images that comprise the story. And if they match entirely, both storyteller and listener have had the same experience that the words create (evoke?). Is this the fundamental phenomenology of writing--the intentionality--to create in your experience that which I intend and had when I wrote what I did?
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